More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
。百度網(wǎng)友評論:微望在導演:金泰陽精心設計的情節(jié)和場景，將主角們的內(nèi)心世界展現(xiàn)得淋漓盡致，讓觀眾在觀影過程中獲得了更多的情感共鳴與思考感悟，我認為這是一部具有深刻主題和精湛演技的優(yōu)秀作品！
豆瓣網(wǎng)友評論:微望在劇情設定充滿了懸念與轉折，演員們的精湛演技將角色的內(nèi)心世界展現(xiàn)得淋漓盡致，讓觀眾有著情感共鳴的同時，感受著人性及社會的復雜與多面化，這絕對是不可多得的視覺與心靈盛宴，強烈推薦一看！
愛奇藝網(wǎng)友評論：微望在角色之間的對話既符合角色的身份和性格，又推動了劇情的發(fā)展，恰到好處地烘托了微望的氛圍和節(jié)奏，使得整部作品更加生動有力，我認為這是一部值得觀看和推薦的佳作！
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